10 Myths About Marketing Your Book

by DiAnn Mills (guest article)

What’s stopping you from marketing your book? Is it lack of knowledge? Indecision about the tools? Fear of failure or success? How to approach social media?

Now is the time to debunk the following 10 myths so you can be a marketing rockstar.

Image from http://www.abeautifulmess.com/2013/07/on-writing-a-book.html

Myth #1: All I have to do is one thing: write a good book.
A writer’s number 1 job is to write an excellent book. But without marketing and promotion, how will readers know about your exciting project?

Myth #2: Marketing takes way too much money. Only big names can afford it.
Every writer has the ability to learn basic marketing, promotion, and the value of social media. No matter the marketing budget, reaching others can be accomplished and is vital to the success of your book.

Myth #3: A traditionally published writer doesn’t need to worry about marketing. The publishing house will spend lots of money launching it.
Publishing houses adjust their budgets for marketing and promotion according to projected sales. A savvy writer teams up with the marketing team to learn how to compliment what’s being done. Personalization allows the writer to make an impact on potential readers.

Myth #4: The only way a writer will succeed in marketing is to hire a book publicist.
Writers research the needs of their readers to find out how to reach them effectively. A writer has the ability to influence their readers by discovering who they are.

Myth #5: If a writer is going to get involved in social media, then register for every platform. And never follow anyone back.
A writer chooses a social media platform according to her brand, genre, expertise, and audience needs. The goal is to be active, reaching out in a community of followers to fill a need.

Image from https://www.helpforwriters.me/book-publishing-book-distribution/

Myth #6: No one can help an author build a platform or develop a brand. It just happens as you publish books.
A wise writer focuses her passion to a specific audience. Her expertise and type of writing builds her platform so she can be branded by who she is and what she writes.

Myth #7: Marketing through social media means you have to constantly promote yourself so people will remember you.
The goal of social media is to help others; it’s not about us. For every five posts, only one can be about the writer. Develop trust among your followers.

Myth #8: There’s no point in marketing your book until it’s released. After all, people can’t buy it until then.
Marketing and promotion begins with the writer’s idea for a project. Social media posts, blogs, speaking topics, catch-phrases, Pinterest boards etc. begin at conception of the book premise.

Myth #9: If you receive an advance, plan on spending 10% of it on marketing. If you don’t receive an advance, then marketing isn’t expected of you.
Every writer has a specific amount designated for marketing and promotion. The publisher expects a writer to be involved in the process of letting the world know about the book. The advance doesn’t dictate the writer’s marketing.

Myth #10: Once a writer creates a marketing plan, the same plan works for every book.
Not every project’s content is the same. The characters, plot, setting, emotion, dialogue, narrative, and symbols vary in each book. Just as the books carry different themes and topics, so are the new and unique ways of marketing.

What marketing myths have you proven wrong? Share your thoughts so we can all learn.

Deep Extraction (FBI Task Force Book 2)

by DiAnn Mills (Author)

A pacemaker should have saved oil and gas magnate Nathan Moore’s life. Instead, it provided his killer with a seemingly perfect means of execution.

A bombing at one of Nathan’s oil rigs days earlier indicates his death could be part of a bigger conspiracy, a web Special Agent Tori Templeton must untangle. But her first order of business is separating the personal from the professional—the victim’s wife, her best friend, is one of the FBI’s prime suspects.


7 Book Discoverability Strategies Recap


If we’ve done our job properly, then hopefully we’ve given you a lot of food for thought as part of our Book Discovery series. Individually, authors have used all seven of the strategies we’ve discussed to find success. None of them are 100 percent successful for all authors, but without a doubt, you’ll get more out of these methods than simply writing books and hoping for the best.

Here’s a quick recap of the seven book discovery strategies:

1. Two Free Books

Also known as the Reader Magnets strategy, this method requires that you make two of your books free. The first book serves as a traffic generator to a mailing list squeeze page. The second is an incentive for readers to join your list. The strategy works well as a complement to the Securing Email Advertisers strategy and the Paid Advertising strategy.

2. Securing Email Advertisers

Securing Email Advertisers is all about getting the attention of BookBub and the other marketing companies through the improvement of your book’s sales page. When your book ranks in the middle of or higher than other books BookBub has featured when it comes to reviews, description, and cover, you’ll have a better chance of being accepted. A feature on BookBub and other retailers could inform over 100,000 readers about your work.

When you’re promoting a free book using this strategy, the Two Free Books strategy works well in conjunction to get more email subscribers.

3. Pitch Yourself to Podcasts

By setting up interviews with popular podcasts, you’ll make a deeper connection with potential readers than you ever could have done with a guest blog post. The strategy works best when you’re promoting an audiobook, since podcast listeners are already attuned to the audio medium.

4. Joining a Box Set

Work together with other authors to put your books into a box set. By pricing the set low, you can get your series starter into the hands of plenty of new readers. The strategy has also been used to get featured on the USA Today and New York Times Bestseller lists.

5. Social Media Events

When multiple authors agree to promote the same social media event, you’ll see a lot of cross-pollination between fan bases. As the person running the event, you can collect new email subscribers or create a Lookalike Audience using Facebook’s Website Custom Audiences pixel to get an added benefit.

6. Meeting Merchandizers

Merchandizers control which books get placed in prominent locations on the non-Amazon platforms. Meet with them face-to-face at conferences to improve your chances of getting featured. The strategy is a must for authors who aren’t on KDP Select.

7. Paid Advertising

Experiment with ads on Facebook to get a positive ROI on direct sales and/or mailing list ads. This strategy has the highest learning curve, but it can also get you the best return if you have money to spend on advertising your higher-priced box sets.

The Book Discovery Buffet

Most successful authors have used a variety of strategies to get where they are today. You don’t just have to choose one to get ahead.

Let’s say you’re just starting out and you want to use all of the strategies to build up your brand. Once you’ve written three books, you can start using the Two Free Books strategy to grow your mailing list. You may want to supplement your list growth with some Paid Advertising to pitch your free book deal. As you keep growing your list, you can reach out to other authors in your genre to be part of a Social Media Event.

The event goes well and acquaints you with even more authors in your genre. You collaborate with these authors to Join a Box Set that includes the permafree first book in your series. With your free books continuing to grow your mailing list, you’ve built up enough of a following to justify creating an audiobook version of your first three books. This gives you incentive to Get Featured on Podcasts as part of a tour.

You’ve built up a little money as a result of your growing fan base and continuing to write books in your series, but you’re not getting as much traction on the non-Amazon platforms as you’d like. You save up some of your earnings and go to three conferences in your area to meet with reps from Nook Press, Kobo, and iBooks. After following up with those contacts, you start to earn a few hundred dollars a month from these other platforms.

Now with even more money saved up, you go all-in on Paid Advertising with some direct sales ads of your own series box set. After writing five books in your series, you box up books 1-3 and sell them at $6.99 through the paid ads. You have to spend nearly $400 to get the targeting right, but once you’ve got it, it only takes a month to earn back what you’ve spent. Over time, you slowly increase your spend, and your sales start to go through the roof.

With great sales and a growing list, you make a push to get more reviews on your books. Once you’ve gotten into the middle of the pack of books in your genre that’ve been featured on BookBub, you submit your application. It takes three tries, but finally you get in. Every few months, you alternate submitting your box set or your permafree first book to BookBub. Each feature brings you even more subscribers and a nice boost to your income.

Your Results May Vary

The above hypothetical use of all seven strategies would be a pretty ideal situation for most authors. It likely won’t go quite as well as described, but that doesn’t mean you shouldn’t try. You’re bound to fail a little bit along the way, but failure is a necessary step toward success. Your patience, your time, and your money spent will be well worth it if you continue to persevere through your attempts to increase discoverability.

Getting Traditionally Published


Talking about traditional publishing as a means to book discovery at the end of our series is by design. Here at Author Marketing Institute, we’re much more focused on self-publishing than we are on traditional publishing. One of the reasons AMI Founder Jim Kukral created the site was because of his distaste with a traditional publishing experience he had back in 2010. That being said, it’d be shortsighted of us not to mention traditional publishing as a possibility for book discovery. Plenty of authors (some of whom are now self-published) got their start through the well-worn path of agent to editor to publication. While there’s no formula to getting your book traditionally published, there are certainly some things you can do to improve your chances.

Improving Your Skills And One Heck Of An Idea

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Working and reworking the same book for 10 years is the equivalent of finishing and re-doing the same third grade spelling workbook over and over again. You’re not going to learn much about writing craft if you don’t continually work to take on new, difficult challenges. Traditional publishing isn’t going to take many chances on a newbie writer, so you need to arrive fully-formed by the time you submit your first manuscript.

How do you get better as a writer? It starts by writing as much as you can and reading as much as you can. There’s a saying that you don’t find yourself as a writer until you’ve written your first million words. Some authors have gone so far as to literally write seven-figures worth of words and scrap every single one. We recommend holding onto those words and considering self-publishing them, but that part of the learning process is up to you. As you’re writing, you’ll want to get feedback from experienced editors, friends, and voracious readers. You don’t have to take all their notes verbatim, but you’re required to learn what works and what doesn’t work along the way.

Reading as much as you can will help you learn best practices as well. Nobody is telling you that you have to read the classics or snore your way through some Dostoyevsky, but you should at least read in the genre you want to write in. Carve out the time to read at least two books a month and take notes on what you like, what you dislike, and what you can improve upon. Reading and writing are the fundamentals to getting better as you go along.

As you’re developing your craft, you want to start considering the kind of ideas you’d pitch once you get in front of an agent. Author David Farland has helped to coach many authors who later became hugely successful in traditional publishing like Stephanie Meyer and Brandon Sanderson. He recommends taking your original ideas and tweaking them to have a wider appeal. The more people who could potentially read it, the happier your traditional publishing contacts will be. He notes that many bestselling books take readers on a journey to somewhere they’ve never been. It’s no wonder than Dan Brown’s books have been so popular, given their tendency to globe trot through Europe. You’ll also want to coax out the deepest possible emotions in your story. Apathetic characters and plot lines rarely make it past the first pitch stage.

When it comes down to it, how a book idea makes you feel is irrelevant. It needs to make readers feel something. You must transport them to another place, physically and emotionally. If your idea can’t do that, then it’s unlikely to sell.

Why You Should Show Off In Person

Image from http://www.coachstephaniechung.com/self-analysis-drive-more-sales-by-finding-your-strengths-weaknesses/

Few authors take the time to write those million words and come up with a sellable idea. Doing so builds up a strong foundation that significantly improves your chances of publication. Unfortunately, it’s not enough, and you’ll still need to convince an agent and then an editor that your idea is worth its salt.

Query letters are pretty hit or miss, so it’s better to spend money on going to conferences where agents and editors will be on hand to read submissions. As with the Meeting Merchandizers strategy, smaller conferences with more one-on-one attention are better bets. You may have to spend a decent chunk of change to go to a conference that features agents or editors in your genre, but you’ll get so much more out of a face-to-face meeting than you will from sending a letter. There’s still a chance you’ll be turned down, but if you’ve spent the time improving your craft and generating your sellable idea, your chances improve dramatically.

There’s one more thing that can sweeten the pot for agents and editors to take on your book. If you have an existing platform of readers and followers, then you become much more attractive to a publishing house. Publishers give book contracts to people like Snooki because they have millions of social media followers. You may not have a Jersey Shore-worthy following, but if you have thousands of email subscribers, it’ll make your publishing pitch that much easier. The more you show that you can sell your books, the more likely it is you’ll be accepted.

But If You’re a Good Writer And You Have a Following…

If you’re good at what you do, and readers already like you, then why are you considering a traditional publishing contract? There are a variety of answers to that question. It may be a dream of yours, or you may not want to deal with the slog of editing and cover design. You might think that your books would sell better in a book store, or you could be eyeing a future career in speaking. As you’re considering this question, remember that there’s nothing wrong with being both a self-published and a traditionally-published author.

Hybrid publishing may be the future for all authors going forward. There are too many benefits to self-publishing for trad pub authors to ignore forever. If your heart is set on getting into bookstores, then self-publishing those first million words before sitting down with an agent might be your best ticket to success in both arenas.